Andrew Roberts (b. 1995, Tijuana) has built his practice across gameplay, roleplay, and worldbuilding, creating multi-platform narratives that materialize through digital animations, objects, and poetry. By mining the history of monsters and the material dimension of horror, he is primarily concerned with economic systems deeply rooted in death, the use of cultural artifacts as instruments of violence, and the haunting relationship between Mexico and the United States of America. 

 Full bio Email me

Protean Silicone Matter
2023


Protean Silicone Matter

Pequod Co., Art Basel Miami Beach

View more

Haunted Silicone Matter

Pequod Co., Art Basel Miami Beach

View more






Tank
2023


Tank

Pequod Co., Mexico City

View more


Necromancer
2022


Necromancer (Vanitas)

House of Chappaz, Barcelona

View more

Necromancer (Mining Mana)

House of Chappaz, Valencia

View more


A hourse on fire is a ghost, a factory on fire is a specter
2022


A house on fire is a ghost, a factory on fire is a specter

Best Practice, San Diego

View more


The Harvest
2021


The Harvest (Pilot Episode)

Collaboration with Mauricio Muñoz

Delaplane, San Francisco

View more

The Harvest

Collaboration with Mauricio Muñoz

Delaplane, San Francisco

View more


We are sorry to notify you that due to the end of the world...
2020


La Horda (The Horde)

Pequod Co., Mexico City

View more

CARGO

Pequod Co., Mexico City

View more

Undead

Pequod Co., Mexico City

View more


Isla, dinos tu nombre (Island, tell us your name)
2019


Isla, dinos tu nombre

Roca, Isla, Glaciar, Museo Jumex, Mexico City

View more


Towards Electromateriality
2018


Towards Electromateriality

Ficción y tiempo, Centro Cultural Universitario Tlatelolco

View more

Towards Electromateriality

Ficción y tiempo, Centro Cultural Universitario Tlatelolco

View more


Sunrise Corporation
2017


Brief History of the Sun

Centro Cultural Tijuana

View more

The Complex

Centro Cultural Tijuana

View more

Sunrise Corporation Headquarters

Centro Cultural Tijuana

View more



Recent solo and two-person exhibitions include Pequod Co., Mexico City (2023, 2020); House of Chappaz, Valencia and Barcelona (2022); Best Practice, San Diego (2022); and Delaplane, San Francisco (2021). He presented a solo booth with Pequod Co. at Art Basel Miami Beach (2023). Significant group exhibitions include the Institut Culturel du Mexique, Paris (2023); the Whitney Biennial: Quiet As It's Kept, NYC (2022); the Institute of Mexico in Spain, Madrid (2022); the 7th Athens Biennale: ECLIPSE (2021); the Museo Jumex, Mexico City (2021); and the Museum of Contemporary Art San Diego (2018); amongst others.

aandrewrobertss@gmail.com