Andrew Roberts (b. 1995, Tijuana) has built his practice across gameplay, roleplay and worldbuilding, creating multi-platform narratives that materialize through digital animations, objects and poetry. Mining the history of monsters and the material dimension of horror, he is primarily concerned with representation systems, death as a form of labor and the haunting relationship between Mexico and the United States of America. 

 Full bio Email me
Protean Silicone Matter
2023

Protean Silicone Matter

Pequod Co., Art Basel Miami Beach

 View more
Haunted Silicone Matter

Pequod Co., Art Basel Miami Beach
View more





Tank
2023

Tank

Pequod Co., Mexico City
View more
Necromancer
2022

Necromancer (Vanitas)

House of Chappaz, Barcelona
View more
Necromancer (Mining Mana)

House of Chappaz, Valencia
View more
A hourse on fire is a ghost, a factory on fire is a specter
2022

A house on fire is a ghost, a factory on fire is a specter

Best Practice, San Diego
View more
The Harvest
2021

The Harvest (Pilot Episode)

Collaboration with Mauricio Muñoz

Delaplane, San Francisco
View more
The Harvest

Collaboration with Mauricio Muñoz

Delaplane, San Francisco
View more
We are sorry to notify you that due to the end of the world...
2020

La Horda (The Horde)

Pequod Co., Mexico City

 View more
CARGO

Pequod Co., Mexico City

 View more

Undead

Pequod Co., Mexico City
View more
Isla, dinos tu nombre (Island, tell us your name)
2019

Isla, dinos tu nombre

Roca, Isla, Glaciar, Museo Jumex, Mexico City

View more
Towards Electromateriality
2018

Towards Electromateriality

Ficción y tiempo, Centro Cultural Universitario Tlatelolco

View more
Towards Electromateriality

Ficción y tiempo, Centro Cultural Universitario Tlatelolco

View more
Sunrise Corporation
2017

Brief History of the Sun

Centro Cultural Tijuana

View more
The Complex

Centro Cultural Tijuana

View more
Sunrise Corporation Headquarters

Centro Cultural Tijuana

View more

Towards Electromateriality
CCU Tlatelolco, Mexico City
11/29/2018 — 03/31/2019

Towards Electromateriality, 2018, installation view at Centro Cultural Universitario Tlatelolco, Mexico City


Excerpt from Towards Electromateriality, 2018, 4K CGI video, color, sound, 8:55 min.; automotive paint on 3D prints and stainless steel light stands, variable dimensions



Towards Electromateriality is a manifesto introducing us to the world of the new flesh; a reconfiguration of reality mediated by the existence of high speed electronics, assassin algorithms and the atomic materiality of all digital media. Recurring to the visual languages of cosmic horror, warfare video games and dystopian science fiction, it draws both conceptual and aesthetic parallels between occultism and black boxes; alchemy and electromechanical engineering; the supernatural and the physical invisibility of virtual realms.












Towards Electromateriality, installation view at Lodos, Mexico City, 2020