Andrew Roberts (b. 1995, Tijuana) has built his practice across gameplay, roleplay, and worldbuilding, creating multi-platform narratives that materialize through digital animations, objects, and poetry. By mining the history of monsters and the material dimension of horror, he is primarily concerned with economic systems deeply rooted in death, the use of cultural artifacts as instruments of violence, and the haunting relationship between Mexico and the United States of America. 

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Protean Silicone Matter
2023

Protean Silicone Matter

Pequod Co., Art Basel Miami Beach

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Haunted Silicone Matter

Pequod Co., Art Basel Miami Beach
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Tank
2023

Tank

Pequod Co., Mexico City
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Necromancer
2022

Necromancer (Vanitas)

House of Chappaz, Barcelona
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Necromancer (Mining Mana)

House of Chappaz, Valencia
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A hourse on fire is a ghost, a factory on fire is a specter
2022

A house on fire is a ghost, a factory on fire is a specter

Best Practice, San Diego
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The Harvest
2021

The Harvest (Pilot Episode)

Collaboration with Mauricio Muñoz

Delaplane, San Francisco
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The Harvest

Collaboration with Mauricio Muñoz

Delaplane, San Francisco
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We are sorry to notify you that due to the end of the world...
2020

La Horda (The Horde)

Pequod Co., Mexico City

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CARGO

Pequod Co., Mexico City

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Undead

Pequod Co., Mexico City
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Isla, dinos tu nombre (Island, tell us your name)
2019

Isla, dinos tu nombre

Roca, Isla, Glaciar, Museo Jumex, Mexico City

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Towards Electromateriality
2018

Towards Electromateriality

Ficción y tiempo, Centro Cultural Universitario Tlatelolco

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Towards Electromateriality

Ficción y tiempo, Centro Cultural Universitario Tlatelolco

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Sunrise Corporation
2017

Brief History of the Sun

Centro Cultural Tijuana

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The Complex

Centro Cultural Tijuana

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Sunrise Corporation Headquarters

Centro Cultural Tijuana

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The Harvest
Collaboration with Mauricio Muñoz
Delaplane, San Francisco
11/30/22 — 05/18/23

 The Harvest, 2021, collaboration with Mauricio Muñoz HD video, color, sound, 12 min.


Excerpt from The Harvest, 2021, collaboration with Mauricio Muñoz HD video, color, sound, 12 min.



Mauricio Muñoz and Andrew Roberts collaborate for the first time to conceive The Harvest, a musical romantic comedy situated in an otherworldly and fantastical realm. In this project, they play a couple of gay ogres hiding and living peacefully in the woods amidst a land where segregation between magical creatures is the norm, taking the form of a video piece accompanied by a series of photographic portraits and sculptures.

Interested in exploring the Otherness present in the fantasy genre through its hierarchical system of magical races, the artists reclaim the figure of the orc as analogous to their own gender, sexual and bodily identities. They insert their practice into Internet subcultures that relate to each other through post-human erotic avatars, recognizing in this the power of images as mobiles of desire and virtual forums as spaces of radical tenderness.

Portrait, 2021, collaboration with Mauricio Muñoz, Inkjet print on cotton paper, 50 × 40 cm (20 × 16 in)


Full leather jacket, 2021, collaboration with Mauricio Muñoz, Inkjet print on cotton paper, 50 × 40 cm (20 × 16 in)


Queendom, 2021, collaboration with Mauricio Muñoz, Inkjet print on cotton paper, 50 × 40 cm (20 × 16 in)


Mining, 2021, collaboration with Mauricio Muñoz, Inkjet print on cotton paper, 50 × 40 cm (20 × 16 in)


Clouds, 2021, collaboration with Mauricio Muñoz, Inkjet print on cotton paper, 50 × 40 cm (20 × 16 in)


Shield, 2022, collaboration with Mauricio Muñoz, 3D print in polylactic acid, automotive paint 60 × 59 × 14 cm (23 1⁄2 × 23 × 5 1⁄2 in)


Sword, 2022, collaboration with Mauricio Muñoz, 3D print in polylactic acid, automotive paint 80 × 20 × 9 cm (31 1⁄2 × 8 × 3 1⁄2 in)


Book, 2022, collaboration with Mauricio Muñoz, 3D print in polylactic acid, automotive paint 33 × 50 × 5 cm (13 × 19 3⁄4 × 2 in)


The Harvest, Delaplane, installation view