Andrew Roberts (b. 1995, Tijuana) has built his practice across gameplay, roleplay and worldbuilding, creating multi-platform narratives that materialize through digital animations, objects and poetry. Mining the history of monsters and the material dimension of horror, he is primarily concerned with representation systems, death as a form of labor and the haunting relationship between Mexico and the United States of America.
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Protean Silicone Matter2023
Protean Silicone Matter
Pequod Co., Art Basel Miami Beach
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Haunted Silicone Matter
Pequod Co., Art Basel Miami Beach
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Tank2023
Tank
Pequod Co., Mexico City
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Necromancer2022
Necromancer (Vanitas)
House of Chappaz, Barcelona
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Necromancer (Mining Mana)
House of Chappaz, Valencia
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A hourse on fire is a ghost, a factory on fire is a specter2022
A house on fire is a ghost, a factory on fire is a specter
Best Practice, San Diego
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The Harvest2021
The Harvest (Pilot Episode)
Collaboration with Mauricio Muñoz
Delaplane, San Francisco
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The Harvest
Collaboration with Mauricio Muñoz
Delaplane, San Francisco
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We are sorry to notify you that due to the end of the world...2020
La Horda (The Horde)
Pequod Co., Mexico City
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CARGO
Pequod Co., Mexico City
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Undead
Pequod Co., Mexico City
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Isla, dinos tu nombre (Island, tell us your name)2019
Isla, dinos tu nombre
Roca, Isla, Glaciar, Museo Jumex, Mexico City
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Towards Electromateriality2018
Towards Electromateriality
Ficción y tiempo, Centro Cultural Universitario Tlatelolco
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Towards Electromateriality
Ficción y tiempo, Centro Cultural Universitario Tlatelolco
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Sunrise Corporation2017
Brief History of the Sun
Centro Cultural Tijuana
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The Complex
Centro Cultural Tijuana
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Sunrise Corporation Headquarters
Centro Cultural Tijuana
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