Part I exhibited at Delaplane, San Francisco
05/15/2021 — 06/12/2021

The Harvest, 2021 / Work in collaboration with Mauricio Muñoz / HD video, color, sound 12:00 min.



Portrait, 2021 / Collaboration with Mauricio Muñoz / Inkjet print on cotton paper / 50 x 40 cm (20 x 16 in)


Full leather jacket, 2021 / Collaboration with Mauricio Muñoz / Inkjet print on cotton paper / 50 x 40 cm (20 x 16 in)


Queendom, 2021 / Collaboration with Mauricio Muñoz / Inkjet print on cotton paper / 50 x 40 cm (20 x 16 in)


Mining, 2021 / Collaboration with Mauricio Muñoz / Inkjet print on cotton paper / 50 x 40 cm (20 x 16 in)


Clouds, 2021 / Collaboration with Mauricio Muñoz / Inkjet print on cotton paper / 50 x 40 cm (20 x 16 in)




Part II exhibited at Material Art Fair Vol. 8, Mexico City
04/28/2022 — 05/01/2022

Installation view / Collaboration with Mauricio Muñoz / Solo booth with Deslave at Material Art Fair Vol. 8, Mexico City


Shield, 2022 / Collaboration with Mauricio Muñoz / 3D print in polylactic acid, automotive paint / 23 3/5 × 23 1/5 × 5 1/2 in (60 × 59 × 14 cm)


Sword, 2022 / Collaboration with Mauricio Muñoz / 3D print in polylactic acid, automotive paint / 31 1/2 × 7 9/10 × 3 1/2 in (80 × 20 × 9 cm)


Book, 2022 / Collaboration with Mauricio Muñoz / 3D print in polylactic acid, automotive paint / 13 × 19 7/10 × 2 in (33 × 50 × 5 cm)




Installation views

Andrew Roberts

Work

About




THE HARVEST

Collaboration with Mauricio Muñoz

Mauricio Muñoz and Andrew Roberts collaborate for the first time to conceive The Harvest, a musical romantic comedy situated in an otherworldly and fantastical realm. In this project, they play a couple of gay ogres hiding and living peacefully in the woods amidst a land where segregation between magical creatures is the norm, taking the form of a video piece accompanied by a series of photographic portraits and sculptures. 

Interested in exploring the Otherness present in the fantasy genre through its hierarchical system of magical races, the artists reclaim the figure of the orc as analogous to their own gender, sexual, and bodily identities. They insert their practice into Internet subcultures that relate to each other through post-human erotic avatars, recognizing in this the power of images as mobiles of desire and virtual forums as spaces of radical tenderness.